Polly Apfelbaum

Polly Apfelbaum

born 1955 in Abington, Pennsylvania
lives and works in New York
read inGerman
Polly Apfelbaum studied painting at the Tyler School of Art in Elkins Park, Pennsylvania, and Purchase College, State University of New York.
 
For 30 years now, Polly Apfelbaum has been subverting the manifest proclamations and perspectives of a canon of art that strives to define the genres of sculpture, painting, and drawing, as well as the styles of Minimal art, Abstract Expressionism, and Pop art. Her approach is fundamentally anti-authoritarian, and she is a master of paradox interventions tinged with humor and skepticism. She uses the ambiguous name Fallen Paintings for her objects, which can operate with many (sometimes contradictory and dialectical) references, abstraction and figuration, narratives, post-minimalism and appropriation art, heroes like Matisse, Duchamp, or Andy Warhol, or high culture and popular culture, feminism and handiwork. Apfelbaum’s subversive strategy employs materials – like synthetic velvet, clay, and Plasticine – which she uses to reintroduce materiality, color, and (not least) sensuousness into an ossified, aurally focused art world.
 
Apfelbaum regards her works as radically provisional, which is why they can never be permanent. They are immediate and are based on a temporary order within the circumstances of chance; their focus is on possibilities and processes, not on a permanent end result.
 
Polly Apfelbaum was invited in 1997 by Harald Szeemann to participate at the 4th Lyon Biennale. In 1998, she took part in the 11th Biennale of Sydney. In 2003, the Institute of Contemporary Art in Philadelphia organized a comprehensive, mid-career survey exhibition of Polly Apfelbaum’s work, which then travelled to the Contemporary Arts Center in Cincinnati, and the Kemper Museum of Contemporary Art in Kansas City in the following year.
 
Polly Apfelbaum’s works are part of such renowned collections as the Museum of Modern Art, Whitney Museum of American Art, and Brooklyn Museum in New York; the Los Angeles County Museum of Art; the Albright-Knox Art Gallery in Buffalo; the Dallas Museum of Art; the Philadelphia Museum of Art; and the National Academy Museum in New York.
 
Alongside numerous grants, Polly Apfelbaum received the Anonymous Was a Woman Award in 1998 and the Rome Prize in 2012.

Selected Works

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Polly  Apfelbaum, PA abstract tileworks (pink stars and squares), 2022 — Galerie nächst St. Stephan
Polly Apfelbaum
PA abstract tileworks (pink stars and squares), 2022
terracotta, glaze
55 x 55 x 1,5 cm (21 1/2 x 21 1/2 x 1/2 in.)
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Polly  Apfelbaum, PA abstract tileworks (blues with a checkered past), 2022 — Galerie nächst St. Stephan
Polly Apfelbaum
PA abstract tileworks (blues with a checkered past), 2022
terracotta, glaze
55 x 55 x 1,5 cm (21 1/2 x 21 1/2 x 1/2 in.)
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Polly  Apfelbaum, Barn Face (Yellow Nose), 2020 — Galerie nächst St. Stephan
Polly Apfelbaum
Barn Face (Yellow Nose), 2020
terracotta, glaze
dm 51 x 2,4 cm (dm 20 x 1 in.)
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Polly  Apfelbaum, Barn Face, 2019 — Galerie nächst St. Stephan
Polly Apfelbaum
Barn Face, 2019
gouache on paper
dm 110 cm (43 in.)
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Polly  Apfelbaum, Snail circle drawing, 2018/2019 — Galerie nächst St. Stephan
Polly Apfelbaum
Snail circle drawing, 2018/2019
gouache, acrylic on paper
Ø 110 cm (diam. 42 in.)
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Polly  Apfelbaum, Snail circle drawing, 2018/2019 — Galerie nächst St. Stephan
Polly Apfelbaum
Snail circle drawing, 2018/2019
gouache, acrylic on paper
Ø 110 cm (diam. 42 in.)
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Polly  Apfelbaum, Warm Moon, 2018 — Galerie nächst St. Stephan
Polly Apfelbaum
Warm Moon, 2018
terracotta
34 x 2,5 cm (13 1/2 x 1 in.)
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Polly  Apfelbaum, Hard Moon, 2018 — Galerie nächst St. Stephan
Polly Apfelbaum
Hard Moon, 2018
porcelain
36 x 2,5 cm (14 x 1 in.)
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Polly  Apfelbaum, Split Station Stop, 2014 — Galerie nächst St. Stephan
Polly Apfelbaum
Split Station Stop, 2014
synthetic taffeta, cord, glazed ceramics
245 x 265 x 50 cm (97 x 104 x 20 in.)
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Polly  Apfelbaum, Wavy Gravy (Weaving Lines Summer of 2011), 2011 — Galerie nächst St. Stephan
Polly Apfelbaum
Wavy Gravy (Weaving Lines Summer of 2011), 2011
marker on blank newsprint
42 parts, each 43,2 x 35,6 cm (17 x 14 in.)
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